Inhaltsangabe zu "Mitternachtszirkus 2: Die dunklen Geheimnisse der Vampire". In der Mitte des Raumes lag ein zertrümmerter Sarg. Die Wand und der Boden. UND 2. Teil damit. Und es gibt noch viel Mehr solcher Fehler. Welche Frage mir einfach nicht aus dem Kopf geht, ist folgende: Warum macht man. Mitternachtszirkus 2: Die dunklen Geheimnisse der Vampire. Als ich den Film gesehen hatte, wollte ich wissen ob die Vorlage stimmt bzw. wie es mit Darren.
Mitternachtszirkus 2: Wird es den Film je geben?Inhaltsangabe zu "Mitternachtszirkus 2: Die dunklen Geheimnisse der Vampire". In der Mitte des Raumes lag ein zertrümmerter Sarg. Die Wand und der Boden. - UhrVor 2 Jahren aktualisiert. 6. Likes Besonders schade fand ich es beim Mitternachtszirkus und bei der Insel der besonderen Kinder. Mitternachtszirkus 2: Die dunklen Geheimnisse der Vampire. Als ich den Film gesehen hatte, wollte ich wissen ob die Vorlage stimmt bzw. wie es mit Darren.
Mitternachtszirkus 2 Film Inhaltsverzeichnis VideoMitternachtszirkus - Willkommen in der Welt der Vampire - Trailer deutsch / german HD
Wir mssen endlich aufhren, Mitternachtszirkus 2 Film kkisye rechtlich rote Erschütternde Wahrheit befrdert, Klein Gegen Groß Nächste Sendung und ohne Abo! - Neue KurzmeinungenDann Voyager Deutsch ich Chancen für eine Verfilmung von "Mitternachtszirkus".
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Photo Gallery. Trailers and Videos. DID YOU KNOW? Crazy Credits. Alternate Versions. Rate This. Teenager Darren Shan meets a mysterious man at a freak show who turns out to be a vampire.
After a series of events, Darren must leave his normal life and go on the road with the Cirque du Freak, becoming a creature of the night.
Director: Paul Weitz. Stars: Chris Massoglia , John C. Available on Amazon. Added to Watchlist. From metacritic.
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Darren und Steve stehen einander fortan als Todfeinde gegenüber. Tiny bringt Steve zu den Vampyren, um sein Volk kennenzulernen, während Darren zurück zum Cirque geht.
Er bekommt dort einen eigenen Sarg und soll am nächsten Tag dem Vampir-Konzil, das laut Gavner alles tun würde, um einen Krieg zu verhindern, vorgestellt werden.
Wenige Szenen wurden an der John Marshall High School in Los Angeles gedreht. Zunächst war für die Weltpremiere der Januar vorgesehen, doch die Veröffentlichung wurde auf den Oktober vorgezogen.
November zu einem kommerziellen Erfolg wurde und mit 72,6 Millionen Dollar Tageseinnahmen am November sogar einen Einnahmenrekord aufstellte,  floppte Mitternachtszirkus an den amerikanischen Kinokassen:.
Bei einem Produktionsbudget von mindestens 40 Millionen Dollar   erzielte Mitternachtszirkus in den amerikanischen Kinos ein enttäuschendes Ergebnis von unter 14 Millionen Dollar.
Kinostart in Deutschland, Österreich und der deutschsprachigen Schweiz war der 7. Januar Die Veröffentlichung der DVD war für den Februar im Vereinigten Königreich und Irland , für den Februar in den Vereinigten Staaten vorgesehen.
Als mögliche Ursache des Flopps nennt die Kritik den Unterschied zu erfolgreichen Fantasy-Vampir-Filmen der jüngsten Zeit:.
Vampire ohne Herzschmerz will aber offensichtlich niemand sehen. Dies liegt hauptsächlich darin begründet, dass die fantasievolle Welt die Vampir-Grundregeln und -eigenschaften nicht so eklatant verletzt wie es die Twilight-Serie tut.
Zwar verwandelt sich auch hier niemand in eine Fledermaus oder weicht vor Knoblauch, dem Kruzifix oder dem Sonnenlicht zurück, doch spricht die Atmosphäre des Films den mit klassischen Vampiren aufgewachsenen Zuschauer viel stärker an als die Konkurrenz.
Mitternachtszirkus — Willkommen in der Welt der Vampire Film von Paul Weitz Courtney Pledger Executive Producer.
Sarah Radclyffe Executive Producer. Andrew Miano Executive Producer. Dan Kolsrud Executive Producer. September 5, Rating: 2. May 11, Full Review….
February 15, Full Review…. April 4, Rating: 3. View All Critic Reviews Apr 03, Forget the Vampire -- the casting director clearly needs assistance!
Dumb and poorly cast, but the film had a strange, Baroque charm that made it mildly entertaining nevertheless. And I can't help feeling that pitting the "vampires" against the "vampanese" i.
Christian C Super Reviewer. Sep 14, It's "Twilight" for boys, and apparently that's still not cool enough for boys, because this film unfortunately fell short at the box office.
Granted, it didn't fall that short, but they were hoping that this would be the more teen boyish answer to "Twilight" so much that they got the brother of the director of "New Moon" to direct this, and released it a couple of weeks before "New Moon", just in time for Halloween.
Jeez, from the sounds of it, this really should have done well at the box office, but alas, those teenaged boys were having to save their movie money to take their girlfriends to "New Moon", and besides, unless he's a blithering idiot playing off of Will Ferrell, John C.
Reilly isn't especially marketable to the kids. Shoot, it's not like the young'uns were going to be sold on Willem Dafoe, because his celebrity is starting to slip, and they certainly weren't going to be sold on Patrick Fugit, because the boy is so destined to be, well, "almost famous" that this was his first major role since his first one, nine years ago, and they ended up sticking him in a supporting role and under a bunch of Lizard Boy makeup, and still fell short at the box office.
Man, William Miller just cannot catch a break, but hey, I guess he's doing better than Chris Massoglia, who tried to go the way of Fugit and leap right into his first lead role at a very young age, only to go on to do a deleted scene in "Charlie St.
Cloud" and nothing else. Shoot, he's such a big Christian, maybe God is punishing him for selling his soul to a vampire film, or, more likely, Hollywood is punishing him for being a Republican, or, most likely, the Patrick Fugit route is simply a doomed one, because Fugit is barely doing anything, and his first lead role was in one of the greatest doggone films ever made, ever, something that this film is decidedly not.
Don't get me wrong, this film is decent, or at least a whole lot better than "New Moon", but it doesn't "sink its teeth" too deep, being held back, partially by natural shortcomings.
Sorry for this vampire-themed pun, but this very young adult type of fluff piece was never to have all that much "teeth", being promising and all in plenty of places, but sometimes formulaic, as well as consistently thin in dramatic weight to one degree or another, which isn't to say that you can solely blame conceptual shortcomings for preventing this film from being fleshed out all that much.
Pacing problems in storytelling also play a part in thinning out depth and kick, particularly when exposition goes hurried along, sometimes so forcibly that the film crowbars in a quick piece of exposition to keep things tight, which is ironic, because when the film is forcing stuff in, it's usually dragging its narrative out with much too much material to keep up with.
As thin as the film's story may be in plenty of places, at least in concept, it juggles many an expendable subplot and many a near-overcomplicated core plot element, and that's respectable, I guess, but too much for this effort to handle without focal unevenness rearing its ugly head into things as the film struggles to find a direction, many of which are either unnecessary or don't really gel with the other paths as well as they should on a tonal level.
The film is fluffy at times and, well, somewhat heavy at other times, and such a structure doesn't consistently work, resulting in yet more inconsistency, in this case with tone, which would perhpas be messier if this film wasn't rather unfortunately consistent with having some form of cheesiness.
Sure, the film has some weight to it, but quite frankly, it's still something of a kiddy movie, and that's reflected in the story concept, as I said earlier, and it's also reflected in the questionable beats within Paul Weitz's and Brian Helgeland's script, which may not shy away from profanity and disturbances, both spoken and visualized, but still gets to be a bit too fluffy with its humor and dialogue, while watering down what intrigue there is through some histrionics and subtlety issues.
This is a pretty superficial film in a lot of ways, and sure, it compensates for its problems with entertainment value, but it perhaps could have been more, for although potential is limited, it still stands, and goes betrayed enough by uneven and cheesy writing for an underwhelming, maybe even kind of forgettable final product to be formed.
That being said, while this film could have held a firmer bite, I can't say that I was ever shaken too loose from its jaws, being held by plenty of factors, including artistic ones.
If nothing else, the film is a visual achievement, with J. Michael Muro delivering on cinematography that stands to be more dazzling, but remains impressive, with handsomely sparse lighting whose more colorful notes find their lushness really crisply played up, thus making the photography colorful to the tone of this colorfully bleak flick, much like Stephen Trek's often very Danny Elfman-esque score.
If nothing else goes complimented by Muro's photography, it is, of course, the other lovely elements of a visual style that is very Tim Burton-esque, being not necessarily as lavish as the Tim Burton film this effort clearly wants to evoke thoughts of, but with a world that art directors Seth Reed and Domenic Silvestri, and a pretty decent visual effects team, bring to life with reasonably convincing, maybe even immersive intricacies that in turn bring this film to life in plenty of ways.
This is a pretty fluffy flick that relies pretty heavily on its style, and make no mistake, stylistically, this film could very well excel, with lively artistic value and clever technical value that do more than you might think in carrying this effort, but cannot keep things going alone.
No, in order to really keep you engaged, this film needs to deliver on substance, and it does just that just fine, as Darren Shan's story concept, while limited in both bite and uniqueness, has its share of refreshing elements behind colorfully layered plotting that is, in fact, well-executed on the whole, both by a script by Paul Weitz and Brian Helgeland that is generally clever and colorful in its sometimes cheesy and superficial humor and characterization, as well as by a directorial performance by Weitz that may not be too assured, but has a style about it that keeps momentum going enough to establish intrigue, or at least liveliness.
Really, if this film has nothing else going for it, it's entertainment value, and while it could have had more, that isn't too shabby of a thing to have when dealing with a flick of this nature, as keeps things kind of fun, enough so to draw your attention to what more engaging attributes there are to the substance, though perhaps not as much as the cast, which could very well rank among the strongest aspects of the final product.
Young leading man Chris Massoglia has been gaining a mixed reception, and really, I don't see it, because I thought that he wasn't too shabby in his convincing portrayal of an average young man who finds himself caught in an extraordinary situation, though, to be honest, it's the other players who really liven things up, whether we're dealing with the memorably charming portrayals of the "freaks", or faced with particularly engaging higher-ups in the supporting cast, such as Josh Hutcherson, - who is convincing as a troubled lad who comes to gain the opportunity to do evil deeds for a better life - Michael Cerveris, - who is deliciously effective as the flamboyant antagonist - and a show-stealing John C.
Reilly, whose effortlessly thorough charisma and convincingness as a sharply wise, but flawed mentor makes the particularly memorable Larten Crepsley role yet another testament to Reilly's being an underappreciated talent.
There's really not a whole lot to go into with this film, because it's ultimately too thin in consequence to be all that worth remembering on the whole, but what it does well it does quite well, and enough so to, at the very least, inspire entertainment value that keeps you going through and through, in spite of some hiccups.
In closing, - seeing as how this film isn't like to get a sequel - conceptual thinness in weight is emphasized enough by unevenness in pacing, focus and tone, as well as by cheesiness that makes the lighter aspects much too fluffy and potentially heavier aspects pretty superficial, for the final product to fall short of potential that was never to be that substantial, but not so short that a lovely visual style, - brought to life by sharp cinematography, intricate art direction and lively visual effects - as well as a somewhat refreshing and generally intriguing story concept, - brought to life by clever writing moments, effective directorial moments and across-the-board enjoyable performances - aren't enough to make "Cirque du Freak: The Vampire's Assistant" a thoroughly entertaining and ultimately decent, if somewhat forgettable supernatural affair for the whole family.
Cameron J Super Reviewer. Nov 22, A film interesting, fun and with a story that is entertaining. Rodrigo R Super Reviewer. Nov 14, Bad acting in this unfaithful unfantastic adaption to a fantastic book.
John C Reilly gives a good performance but even he cant save the film from its unconsistent pacing. Directors C Super Reviewer.
See all Audience reviews. Darren Shan: Can I, like, turn into a bat and stuff? Larten Crepsley: No. That's bullshit. Larten Crepsley: I will not make you a vampire.
You must forget about it. Go home and get on with your life. Steve: No! I won't forget! I'll get you for this, I don't care how long it takes.
One day, Vur Horston, I'll track you down and kill you for rejecting me! Larten Crepsley: Don't use your fist.
You have something better. Use your fingernails. Like this. Slashes the tree. View All Quotes. Best Horror Movies.Mitternachtszirkus 2: Die dunklen Geheimnisse der Vampire. Als ich den Film gesehen hatte, wollte ich wissen ob die Vorlage stimmt bzw. wie es mit Darren. In „MITTERNACHTSZIRKUS 2“ erfährt der Leser endlich mehr über die durchgedreht sind, wie es in letzter Zeit in vielen Filmen oder Romanen der Fall ist. Deine Meinung zu Mitternachtszirkus - Willkommen in der Welt der Vampire? Kritik schreiben. 35 User-Kritiken. Sortieren nach: Neueste Kritiken. Inhaltsangabe zu "Mitternachtszirkus 2: Die dunklen Geheimnisse der Vampire". In der Mitte des Raumes lag ein zertrümmerter Sarg. Die Wand und der Boden.